Chamcakes Babypagne

by The Sexy Accident

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1.
2.
when you chase for novelty prep a page for tragedy lens flare of a city night freight train coming on your right at speed with her on your arm she blooms under all your charms as you glide try not to think of the ice underneath your feet salt of tears painted dawn bitter tea you’ll carry on take a run get some sleep she's the memory you keep to a song you seemed to know love rose like a sourdough a loom was soon entwined she’d call late and you didn’t mind the days got short and cold twilight by the time you're home her note flapping on your door your love has flown its course salt of tears painted dawn bitter tea you’ll carry on take a run get some sleep she's the memory you keep at lakeside under a roiling sky your bodies blurring in the night you'll love her until the day you die far away the crying's done pale shore under whitewash sun dip your toes in the cloudy bay too cold to swim today phone streaked with salt and sand her name that you tap to send not sure you can take what's next as you wait for her to text
3.
your home is glowing twilight gray our knees are touching to your delicate wordplay kisses come in little rounds you say your roommate won't be bothered by our sound we could have some fun ‘ere monday pulls the curtain of the night down from the sun such a pretty one you can stay I wanna go to bed yeah I wanna go to bed I wanna go to bed curling fingers conjure thirst as you clutch me we bear down until we burst scent and sweat now intertwined got your glasses on you can try on mine are we out of time? you can stay I wanna go to bed yeah I wanna go to bed I wanna go to bed like petrichor from a summer storm you’re soft and warm
4.
you fold my life to a minute your pretty hands this box I harbor in a pocket my secret plan we drink and teeter ever nearer you change the tune your glass of wine streaking empty I’m outta soon “I do” or “adieu” I need “I do” or “adieu” I walked alone sidewalk simmered that balmy night this urban orb churning ever we’re fireflies “I do” or “adieu” I need “I do” or “adieu” your dress blinding white like a seaside in July pictures burning in my mind's eye “I do” or “adieu” it was “I do” or “adieu”
5.
aromas ... kitchen cooked meal ... don't get ... eat gotta sift ... seasoning ... from the stew Sneaky, Sneaky I love you summer drive, odometer rising rolling through the hills, I’m improvising seventeen twists to make the turns take more time more time If I misapprehend that I’ll love you forever the Dalai Lama can scold us together ‘cuz our sweaters are brushing arms right now it’s been a while I’m starting to miss you yeah a day so I’m making it an issue Sneaky, Sneaky you’re so near
6.
7.
autumn night we wander arm in arm laugh and cry in our specs slip off my gloves to touch your tears and we embrace you softly ask in my neck can we have goats, biscuits, bees oh that sounds fine to me I know you’ve gotta leave but we’ll have goats, biscuits, bees you’re called to walk the crowd wherever voices shout you wonder can it be fair to leave a love to tune and worry to your sound dear heart, you're already there can we have goats, biscuits, bees oh that sounds fine to me I know you’ve gotta leave but we’ve got goats, biscuits, bees waves and noise spinning into space bring your voice to me as I age still sunbeams coffee in the air are you home? I'll meet you there and we’ll have goats, biscuits, bees oh that sounds fine to me I know you’ve gotta leave but we've got goats, biscuits, bees we’ll have goats, biscuits, bees oh that sounds fine to me our plans are twirling leaves but we'll have goats, biscuits, bees
8.

about

A selection of songs from The Sexy Accident's sixth full-length album, Champagne Babycakes, re-imagined and reconstructed by Steve Fisk, namelessnumberheadman, Akkilles and many talented guest musicians.

credits

released September 8, 2018

All songs written by Jesse Kates / Halaster Music [ASCAP] except You’ve Got To Ride Your Bicycle Ha Ha Ha by Jonas Kates

Mastering by Mike Nolte at Eureka

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The Sexy Accident Kansas City

Mercurial pop of brains and heart "driven by catchy melodies and smart, real-life lyric writing." (The Big Takeover)

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